Exhibition

0,00 € - off-site

A proposal by Jean-Alain Corre, with Simon Bergala, Anne Bourse, Grégory Cuquel, Florence Giroud, Anthony Jacquot-Boeykens, Renaud Jerez, Thomas Léon, Jean-Baptiste Sauvage, Thomas Teurlai and Philip Vormwald.

Presented by Triangle France, in partnership with La Gad.
Exhibition in the form of a parcours, from April 27 to May 19, 2013.
List of venues available at Galerie Arnaud Deschin, 34 rue Espérandieu, Marseille (1st).
Opening on April 26, 2013, at 6:30 PM.

1_anne_bourse_croissant_papiers_decoupes_feutre_crayon_encre_impression_numerique_fil_cousu_scotch_120_x_130_cm_courtesy_de_l_ar — Anne Bourse, Croissant, 2013, cut papers, felt-tip pen, pencil, ink, digital print, sewn thread, tape, 120 x 130 cm © courtesy of the artist

2_anne_bourse_croissant_papiers_decoupes_feutre_crayon_encre_impression_numerique_fil_cousu_scotch_120_x_130_cm_courtesy_de_l_ar — Anne Bourse, Croissant, 2013, cut papers, felt-tip pen, pencil, ink, digital print, sewn thread, tape, 120 x 130 cm © courtesy of the artist

1_jean_baptiste_sauvage_tondo_2013_140x85_cm_courtesy_de_l_artiste — Jean-Baptiste Sauvage, Tondo, 2013, 140x85 cm © courtesy of the artist

2_jean_baptiste_sauvage_tondo_2013_140x85_cm_courtesy_de_l_artiste — Jean-Baptiste Sauvage, Tondo, 2013, 140x85 cm © courtesy of the artist

gregory_cuquel_sans_titre_le_nombre_d_or_explique_a_ma_fille_60x40cm_alu_c_print_2013_courtesy_de_l_artiste — Gregory Cuquel Sans Titre (le nombre d’ or expliqué à ma fille), 2013, 60x40cm, aluminium c-print © courtesy of the artist

1_renaud_jerez_dead_spel_ho_eyes_2013_hd_video_10min24_courtesy_de_l_artiste — Renaud Jerez, DEAD SPEL HO EYES, 2013, HD video, 10m’24” © courtesy of the artist

2_renaud_jerez_dead_spel_ho_eyes_2013_hd_video_10min24_courtesy_de_l_artiste — Renaud Jerez, DEAD SPEL HO EYES, 2013, HD video, 10m’24” © courtesy of the artist

1_thomas_leon_ghost_tower_hd_file_720p24_7_28_minutes_en_boucle_courtesy_de_galerie_metropolis_2009 — Thomas Léon, Ghost Tower, 2009, HD video, 7’28” looped © courtesy of Galerie Métropolis

2_thomas_leon_ghost_tower_hd_file_720p24_7_28_minutes_en_boucle_courtesy_de_galerie_metropolis_2009 — Exhibition view of 0,00€ at Enseigne-3d-sign, 32 rue Espérandieu, 13006 Marseille.Thomas Léon, Ghost Tower, 2009, HD video, 7’28” looped © courtesy of Galerie Métropolis

vue_de_l_exposition_0_00_a_l_enseigne_3d_sign_32_rue_esperandieu_13006_marseille — Exhibition view of 0,00€ at Enseigne-3d-sign, 32 rue Espérandieu, 13006 Marseille.Thomas Léon, Ghost Tower, 2009, HD video, 7’28” looped © courtesy of Galerie Métropolis.

vue_d_ensemble_simon_bergala_untitled_purple_2_2013_vetement_huile_courtesy_de_l_artiste — Exhibition view 0,00€ at Pains de longchamp 29, rue espérandieu, 13006 Marseille, Simon Bergala, Untitled (purple) 2, 2013, cloth, oil © courtesy of the artist

simon_bergala_untitled_purple_2_2013_vetement_huile_courtesy_de_l_artiste — Simon Bergala, Untitled (purple) 2, 2013, cloth, oil © courtesy of the artist

vue_de_l_exposition_a_le_sun_7_philip_vormwald_serie_le_sud_3_2013_dessins_encadres_de_70x100_cm_courtesy_de_l_artiste — Exhibition view 0,00€ at Le sun 7, Philip Vormwald, Le Sud 3 (serie), 2013, framed drawings, 70x 100 cm © courtesy of the artist

philip_vormwald_serie_le_sud_3_2013_dessins_encadres_de_70x100_cm_courtesy_de_l_artiste — Philip Vormwald, Le Sud 3 (serie), 2013, framed drawings, 70x 100 cm © courtesy of the artist

thomas_teurlai_sans_titre_2013_pain_jus_d_orange_courtesy_de_l_artiste — Exhibition view of 0,00€ at La rue 34, rue espérandieu, 13006 Marseille, Thomas Teurlai, Untitled, 2013, bread, orange juice © courtesy of the artist

3_vue_d_ensemble_longchamp_coiffure_121_rue_bernardy_13006_marseille — Exhibition view of 0,00€ at Longchamp coiffure 121, rue Bernardy, 13006 Marseille

2_vue_d_ensemble_longchamp_coiffure_121_rue_bernardy_13006_marseille — Exhibition view of 0,00€ at Longchamp coiffure 121, rue Bernardy, 13006 Marseille

3_florence_giroud_dans_la_baie_de_degun_2013_installation_gres_fleurs_toile_de_coton_pan_de_tissu_bois_cuir_courtesy_de_l_artist — Florence Giroud, Dans la Baie de Degun, 2013, stoneware, flowers, cotton canvas, fabric panel, wood, leather © courtesy of the artist

2_florence_giroud_dans_la_baie_de_degun_2013_installation_gres_fleurs_toile_de_coton_pan_de_tissu_bois_cuir_courtesy_de_l_artist — Florence Giroud, Dans la Baie de Degun, 2013, stoneware, flowers, cotton canvas, fabric panel, wood, leather © courtesy of the artist

1_florence_giroud_dans_la_baie_de_degun_2013_installation_gres_fleurs_toile_de_coton_pan_de_tissu_bois_cuir_courtesy_de_l_artist — Florence Giroud, Dans la Baie de Degun, 2013, stoneware, flowers, cotton canvas, fabric panel, wood, leather © courtesy of the artist

1_anthony_jacquot_boeykens_automne_hiver_2013_huile_sur_forex_crayon_de_papier_lacet_stylo_bille_bleu_20x20cm_courtesy_de_l_arti — Anthony Jacquot-Boeykens, Automne-hiver, 2013, oil on forex, pencil, shoelace, blue ballpoint pen, 20 x 20 cm © courtesy of the artist

1_vue_d_ensemble_longchamp_coiffure_121_rue_bernardy_13006_marseille — Exhibition view of 0,00€ at Longchamp coiffure 121, rue Bernardy, 13006 Marseille

2_anthony_jacquot_boeykens_automne_hiver_2013_huile_sur_forex_crayon_de_papier_lacet_stylo_bille_bleu_20x20cm_courtesy_de_l_arti — Anthony Jacquot-Boeykens, Automne-hiver, 2013, oil on forex, pencil, shoelace, blue ballpoint pen, 20 x 20 cm © courtesy of the artist

Triangle France is pleased to present 0,00€, an exhibition structured as a parcours conceived by Jean-Alain Corre. During his residency at Triangle France, the artist developed this project from an existing narrative—the story of Rue Espérandieu and its residents, artisans, and small shop owners. He invites ten artists to join him, embedding themselves in this microcosm to introduce new stories: that of an aesthetic family, the worlds being crafted within it, and those arising from a production economy based entirely on connection and exchange, with a budget of 0,00€.

The participating artists collaborate with local actors, integrating their works into the neighborhood’s spaces. Shopkeepers become exhibition custodians, while artworks assume the role of store decor. Spheres of influence merge and dissolve fluidly.

This fluidity perhaps best characterizes the practice of these artists—their relationship to images and objects—and explains why, together, they form a constellation. Their work often reenacts and reembodies structures borrowed from digital realms, blogs, social networks, and computer screens. Whether through sculpture, drawing, painting, collage, video, photography, or performance, they appropriate existing aesthetics and symbols, crafting worlds governed by personal mythologies and cryptic mechanisms shaped by emotion. Their works evolve through near-liquid juxtapositions, layering, transparency effects, and seamless transitions across genres and media. The successive layers of meaning and associations are never neutral but instead charged with affect and intent.