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and Artists’ residency
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and Artists’ residency
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Center for contemporary art
and Artists’ residency

Événement

Festival Do Disturb - off-site

Off-site program by Triangle France - Astérides for the fifth edition of Do Disturb, the performance arts festival at Palais de Tokyo, Paris

April 12 to 14, 2019
Palais de Tokyo, 13 avenue du Président Wilson, 75116 Paris

Ideal corpus - Arthur Eskenazi

Friday at 8:30 P.M.
Saturday at 8:00 P.M.
Sunday at 3:45 P.M.

Low gallery, level 0

1_arthur_eskenazi_ideal_corpus_performance_2019_festival_do_disturb_palais_de_tokyo_paris__ayka_lux
Arthur Eskenazi, Ideal Corpus, performance, 2019, Do Disturb Festival, Palais de Tokyo, Paris © Ayka Lux
2_arthur_eskenazi_ideal_corpus_performance_2019_festival_do_disturb_palais_de_tokyo_paris__ayka_lux
Arthur Eskenazi, Ideal Corpus, performance, 2019, Do Disturb Festival, Palais de Tokyo, Paris © Ayka Lux

With this nod towards the duo of the same name who were active in the 2010-2016 period in the underground Seapunk scene in Marseilles, Arthur Eskenazi is attempting to create points of convergence while building up a bodily presence run through by a stream having multiple entries. He chooses to bring together things that seem, initially, quite opposed. Worlds of images, quotations, artistic disciplines or narrative registers build up as across a territory that has to be crossed over. The artist thus sounds out forms of otherness.

Allo le bled - Sara Sadik

Friday at 7:30 P.M.
Saturday at 7:00 P.M.
Sunday at 2:45 P.M.

Low gallery, level 0

allo_le_bled_2019__sara_sadik
Visual for Allo Le Bled, 2019 © Sara Sadik
sara_sadik_allo_le_bled_performance_2019_festival_do_disturb_palais_de_tokyo_paris__guillaume_lebrun
Sara Sadik, Allo le bled, performance, 2019, Festival Do Disturb, Palais de Tokyo, Paris © Guillaume Lebrun

Sara Sadik’s work is based in what she calls “beurcore”, the culture of the young Maghrebin diaspora living in France, whose particularities she analyses so as to document them through fiction. “Allo le bled” is a sonic and visual ceremony during which Sara Sadik plunges us into the world of La Puenta: a new town run by the president Jul Saint-Jean. Through the character of Tchikita, she sets down the notions of fandom and cults.